Dana Gioia has been hailed for decades as a master of traditional lyric forms, whose expansive and accessible poems are offerings of rare poignancy and insight. In Meet Me at the Lighthouse, he invites us back to old Los Angeles, where the shabby nightclub of the title beckons us into its…
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Empty Chairs presents the poetry of Liu Xia for the first time freely in both English translation and in the Chinese original. Selected from thirty years of her work, and including some of her haunting photography, this book creates a portrait of a life lived under duress, a voice in danger…
When it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidant. Men and women can be objects of fantasy, the subject of beery…
Dorthe Nors follows up her acclaimed story collection Karate Chop with a pair of novellas that playfully chart the aftermath of two very twenty-first century romances. In “Days,” a woman in her late thirties records her life in a series of lists, giving shape to the tumult of her days—one…
Dana Gioia, an internationally known poet and critic, is notably prolific with his essays, reviews, translations, and anthologies. But like his celebrated teacher, Elizabeth Bishop, Gioia is meticulously painstaking and self-critical about his own poems. In an active 25-year career he has…
In Dear Ghosts—Tess Gallagher's seventh collection, now in paperback—the ghosts of the past are conjured and communed with as part of the poet's present day: the deceased beloved, the father long dead, the ailing mother, the victims of holocaust and war. With these spirits beside her,…
The groundbreaking first novel in Tsitsi Dangarembga’s award-winning trilogy, Nervous Conditions won the Commonwealth Writers Prize and has been “hailed as one of the 20th century’s most significant works of African literature” (The New York Times). Two decades before Zimbabwe would…
Intellectual and intimate, Carolina Ebeid's Hide gathers shreds of memory, dream, and the ordinary artifacts of diaspora, as the poet casts a sounding line into her patrilineal and matrilineal histories in Palestine and Cuba. With the hum of cassettes and the glow of projectors, these…