The searing collection, a cult favorite for decades, by the late Thomas James
Letters to a Stranger
Poems
- “Self-dramatizing, brilliantly imaginative, wildly sad, they long, with romantic futility, to be heard, reveling and wallowing in the wide spaces of their privacy.”—Publisher’s Weekly, starred review
I will last forever. I am not impatient--
My skin will wait to greet its old complexions.
I'll lie here till the world swims back again.
—from "Mummy of a Lady Named Jemutesonekh"
My skin will wait to greet its old complexions.
I'll lie here till the world swims back again.
—from "Mummy of a Lady Named Jemutesonekh"
Thomas James's Letters to a Stranger—originally published in 1973, shortly before James's suicide—has become one of the underground classics of contemporary poetry. In this new edition, with an introduction by Lucie Brock-Broido and four of James's poems never before published in book form, this fraught and moving masterpiece is at last available.
Letters to a Stranger is a new book in the Graywolf Poetry Re/View Series, edited by Mark Doty, dedicated to bringing essential books of contemporary American poetry back into print.
Letters to a Stranger is a new book in the Graywolf Poetry Re/View Series, edited by Mark Doty, dedicated to bringing essential books of contemporary American poetry back into print.
$16.00
About the Author
Praise
- “Letters to a Stranger is a book of dark intensities and deeply felt connections, both haunted and haunting, at once brooding, sensual and lucid . . . The voice in these poems – painfully lonely and filled with longing, estranged and religious – has stayed with me for more than twenty years. It deserves to be remembered.”—The Washington Post
- “There is a truth to this reading that draws on the similarity between these poems and the work of earlier poets like [Sylvia] Plath and [Robert] Lowell, in particular the way that moments of emotional laceration are embedded in a fabric of controlled, formal diction and imaginary narrative. James is more than a late ‘confessional’ poet, though…he seems to be moving toward a softer, more milky tone, more impressionist than expressionist.”—Harp & Altar
- “Sometimes contemporary poetry feels so afraid of its own love, and the risk of overexposed emotion is one aspect of what is so refreshing in James.”—Tin House
