“Tarfia Faizullah is a poet of brave and unflinching vision.”—Natasha Trethewey
Registers of Illuminated Villages
Poems
- “These poems open slowly, elegantly, cradling anger, compassion, and fear.”—NPR.org
Somebody is always singing. Songs
were not allowed. Mother said,
Dance and the bells will sing with you.
I slithered. Glass beneath my feet. I
locked the door. I did not
die. I shaved my head. Until the horns
I knew were there were visible.
Until the doorknob went silent.
—from “100 Bells”
were not allowed. Mother said,
Dance and the bells will sing with you.
I slithered. Glass beneath my feet. I
locked the door. I did not
die. I shaved my head. Until the horns
I knew were there were visible.
Until the doorknob went silent.
—from “100 Bells”
Registers of Illuminated Villages is Tarfia Faizullah’s highly anticipated second collection, following her award-winning debut, Seam. Faizullah’s new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voices—elegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, “Register of Eliminated Villages,” suggests illuminated texts, one a Qur’an in which the speaker’s name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet, whose work only grows more urgent, beautiful, and—even in its unsparing brutality—full of love.
$16.00
About the Author
Praise
- “Faizullah’s entire collection—powerful, wide-ranging—is an affirmation, an accomplished second book.”—The Millions
- “Intimate and prophetic. . . . A fierce confrontation of grief and belonging.”—The Riveter
- “In her fiercely original second collection, Tarfia Faizullah traverses the globe—northern Iraq; Flint, Mich.; West Texas; Bangladesh—and employs a range of formal experiments to illuminate acts of resistance in the face of injustice and violence.”—Star Tribune (Minneapolis)
- “This collection glows.”—Signature Reads
