Winner of the Walt Whitman Award of the Academy of American Poets, selected by Joy Harjo
Brute
Poems
“[In Brute], the anguish comes from an emotionally abusive lover and the abrupt end of a relationship. As the speaker excavates her grief and disbelief, she slowly moves from self-condemnation to a fiery insistence that she can overcome her boyfriend’s damaging assessments of her worth and reclaim the power she once had. . . . The speaker’s brutal honesty and emotional transformation offer an engrossing guide for anyone dealing with a devastating loss.”—The Washington Post
& where is that witch girl
unafraid of anything, flea-spangled little yard rat, runt
of no litter, queen, girl who wouldn’t let a boy hit her,
girl refusing to be It in tag, pulling that fox hide
heavy around her like a flag? Let me look at her.
Tell her on my honor, I will set the wedding dress on fire
when I’m good & ready or she can bury me in it.
—from “Brute Strength”
unafraid of anything, flea-spangled little yard rat, runt
of no litter, queen, girl who wouldn’t let a boy hit her,
girl refusing to be It in tag, pulling that fox hide
heavy around her like a flag? Let me look at her.
Tell her on my honor, I will set the wedding dress on fire
when I’m good & ready or she can bury me in it.
—from “Brute Strength”
Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage as it closes in on a hard-won freedom.
Brute is absolutely sure of its capacity to insist not only on the truth of what it says but the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.
Brute is absolutely sure of its capacity to insist not only on the truth of what it says but the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.
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About the Author
Credit: Kaitlyn Stoddard Photography
Praise
- “The first section of [Brute] ends with a poem of exile: self-imposed, absolutely necessary, freeing. . . . There’s everything in this strong debut.”—The Millions
- “Emily Skaja's [Brute] is lyrical, visceral, sharp like a fang, and filled with lines that pierce and prod and stay embedded inside your skin.”—NYLON
- “Emily Skaja’s poetry debut, Brute, is an unflinching exploration of gender, violence, and recovery. . . . Within the pain of Skaja’s poetry is an unrelenting force, a brutish will to survive that bursts forth with every stanza, announcing her resilience.”—The Paris Review Daily
- “Skaja’s poems are both primal scream-songs and elegies to the end of a relationship. . . . With relentless, driving energy, Skaja’s poems seek brutal truths while searching for meaningful transformation.”—Booklist
