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Fall 2024 Catalog

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We're Alone

by Edwidge Danticat

Publication date September 3, 2024 essays

A collection of exceptional new essays by one of the most significant contemporary writers on the world stage 

Tracing a loose arc from Edwidge Danticat’s childhood to the COVID-19 pandemic and recent events in Haiti, the essays gathered in We’re Alone include personal narrative, reportage, and tributes to mentors and heroes such as Toni Morrison, Paule Marshall, Gabriel García Márquez, and James Baldwin that explore several abiding themes: environmental catastrophe, the traumas of colonialism, motherhood, and the complexities of resilience.

From hurricanes to political violence, from her days as a new student at a Brooklyn elementary school knowing little English to her account of a shooting hoax at a Miami mall, Danticat has an extraordinary ability to move from the personal to the global and back again. Throughout, literature and art prove to be her reliable companions and guides in both tragedies and triumphs.

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Season of the Swamp

by Yuri Herrera; translated from the Spanish by Lisa Dillman

Publication date October 1, 2024 fiction

A major new novel set in nineteenth-century New Orleans by the author of Signs Preceding the End of the World

New Orleans, 1853. A young exile named Benito Juárez disembarks at a fetid port city at the edge of a swamp. Years later, he will become the first indigenous head of state in the postcolonial Americas, but now he is as anonymous and invisible as any other migrant to the roiling and alluring city of New Orleans.

Accompanied by a small group of fellow exiles who plot their return and hoped-for victory over the Mexican dictatorship, Juárez immerses himself in the city, which absorbs him like a sponge. He and his compatriots work odd jobs, suffer through the heat of a southern summer, fall victim to the cons and confusions of a strange young nation, succumb to the hallucinations of yellow fever, and fall in love with the music and food all around them. But unavoidable, too, is the grotesque traffic in human beings they witness as they try to shape their future.

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An Image of My Name Enters America

by Lucy Ives

Publication date October 15, 2024 essays

From a “brilliant, one-of-a-kind maestro” (Booklist), a vibrant tapestry of memoir, research, and criticism

Again, today, if I must choose between love and memory, I choose memory.

What would you risk to know yourself? Which stories are you willing to follow to the bitter end, revise, or, possibly, begin all over? In this collection of five interrelated essays, Lucy Ives explores identity, national fantasy, and history. She examines events and records from her own life—a childhood obsession with My Little Pony, papers and notebooks from college, an unwitting inculcation into the myth of romantic love, and the birth of her son—to excavate larger aspects of the past that have been suppressed or ignored. With bracing insight and extraordinary range, she weaves new stories about herself, her family, our country, and our culture. She connects postmodern irony to eighteenth-century cults, Cold War musicals to a great uncle’s suicide to the settlement of the American West, museum period rooms to the origins of her last name to the Assyrian genocide, and the sci-fi novel The Three-Body Problem to the development of modern obstetrics. Here Ives retrieves shadowy sites of pain and fear and, with her boundless imagination, attentiveness, and wit, transforms them into narratives of repair and possibility.

 

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The Hormone of Darkness

by Tilsa Otta; translated from the Spanish by Farid Matuk

Publication date October 15, 2024 poetry
 
A bilingual selection of tender, transgressive poems by a Peruvian poet and multimedia artist
 
We can go on like that forever
building paradise from our urges
out of our fetishes our loves our vices
How lucky
We’ll wait for you then
Don’t be too long
Bookmark the page
We’ll be Here
—From “The New Heaven”
 
In Tilsa Otta’s The Hormone of Darkness, we find a queer, Latinx person who has lived through iterations of authoritarian rule, and who answers these conditions by creating poetry that doubles down on a life force that precedes and exceeds received notions of the poetic. Here poetry is bawdy, fabulist, and spiritual—in short, it is alive. Otta has created a heaven where readers can go after they die.
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Taiwan Travelogue

by Yáng Shuāng-zǐ; translated from the Chinese by Lin King

Publication date November 12, 2024 fiction

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power

May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear.

Soon a Taiwanese woman—who is younger even than she is, and who shares the characters of her name—is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is.

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Zong!

by m. nourbeSe philip

Publication date September 3, 2024 poetry

A new and expanded edition of one of the essential works of twenty-first-century literature

Zong! is a haunting lifeline between archive and memory, law and poetry.
 
In November 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert—the only extant public document related to the massacre—Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

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Hold Everything

by Dobby Gibson

Publication date October 1, 2024 poetry

A beloved poet captures the beauty that attention to the public and private offers

I wanted to know my role
In the story as winter dozed
through its frozen symposium
I was hoping to find
a better word for how it felt
to be so uncertain
that also meant bathing oceanside
each book was another decision
to learn to live with
when I reached for the oldest ones
they said one day you will know
what it means to be alone
—From “The Little Prince”

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Versailles

by Kathryn Davis

Publication date November 12, 2024 fiction

Marie Antoinette “tells her own story” in this “sage, mercurial, and ravishing” novel (The New Yorker)

Versailles tells the story of an expansive spirit locked in a pretty body and an impossible moment in history. As the novel begins, fourteen-year-old Marie Antoinette is traveling from Austria to France to meet her fiancé. He will become the sixteenth Louis to rule France, and Antoinette will be his queen—though neither shows a strong inclination toward power, politics, or the roles they have been summoned to play. Antoinette finds herself hemmed in by towering hairdos, the xenophobic suspicion of her subjects, the misogyny of her detractors, and the labyrinthine twists and turns of the palace she calls home.

At once witty, entertaining, and astonishingly wise, this widely acclaimed novel is an enchanting meditation on girlhood, womanhood, architecture, and—above all—time and the soul’s true journey within it. Shaken free of the dust of history and calcified myth, Antoinette is “very much alive here, and she’s magnificent” (Stacey D’Erasmo, The New York Times Book Review).

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Dark Days

by Roger Reeves

Publication date September 17, 2024 essays

Now in paperback, Dark Days is a crucial book that calls for community, solidarity, and joy

In his debut work of nonfiction, award-winning poet Roger Reeves finds new meaning in silence, protest, fugitivity, freedom, and ecstasy. Braiding memoir, theory, and criticism, Reeves juxtaposes the images of an opera singer breaking a state-mandated silence curfew by singing out into the streets of Santiago, Chile, and a father teaching his daughter to laugh out loud at the planes dropping bombs on them in Aleppo, Syria. He describes the history of hush harbors—places where enslaved people could steal away to find silence and court ecstasy, to the side of their impossible conditions. In other essays, Reeves highlights a chapter in Toni Morrison’s Beloved to locate common purpose between Black and Indigenous peoples; he visits the McLeod Plantation, where some of the descendants of formerly enslaved people lived into the 1990s; and he explores his own family history, his learning to read closely through the Pentecostal church tradition, and his passing on reading as a pleasure, freedom, and solace to his daughter, who is frightened the police will gun them down.

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Company

by Shannon Sanders

Publication date November 12, 2024 fiction

Now in paperback, a masterful debut story collection named one of Publishers Weekly’s Best Books of 2023

Shannon Sanders’s sparkling debut brings us into the company of the Collins family and their acquaintances as they meet, bicker, compete, celebrate, worry, keep and reveal secrets, build lives and careers, and endure. Moving from Atlantic City to New York to DC, from the 1960s to the 2000s, from law students to drag performers to violinists to matriarchs, Company tells a multifaceted, multigenerational saga in thirteen stories.

Each piece includes a moment when a guest arrives at someone’s home. In “The Good, Good Men,” two brothers reunite to oust a “deadbeat” boyfriend from their mother’s house. In “The Everest Society,” the brothers’ sister anxiously prepares for a home visit from a social worker before adopting a child. In “Birds of Paradise,” their aunt, newly promoted to university provost, navigates a minefield of microaggressions at her own welcome party. And in the haunting title story, the provost’s sister finds her solitary life disrupted when her late sister’s daughter comes calling.
 

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