Keynote
The final book of poems by Tony Hoagland, “one of the most distinctive voices of our time” (Carl Dennis)
Book Title
Turn Up the Ocean
Subtitle
Poems
Cover Image
“Poetry this heartbreakingly prophetic carries important weight but is as light as birdsong.”—Michael Ruzicka, Booklist
Poem Excerpt
The world is a Gorgon.
It presents its thousand ugly heads.
Death or madness to look at it too long
but your job
is not to conquer it;
not to provide entertaining repartee,
nor to revile yourself in shame.
Your job is to stay calm.
Your job is to watch and take notes,
to go on looking.
Your job is to not be turned into stone.
—from “Gorgon”
It presents its thousand ugly heads.
Death or madness to look at it too long
but your job
is not to conquer it;
not to provide entertaining repartee,
nor to revile yourself in shame.
Your job is to stay calm.
Your job is to watch and take notes,
to go on looking.
Your job is to not be turned into stone.
—from “Gorgon”
Body
Over the course of his celebrated career, Tony Hoagland ventured fearlessly into the unlit alleys of emotion and experience. The poems in Turn Up the Ocean examine with an unflinching eye and mordant humor the reality of living and dying in a time and culture that conspire to erase our inner lives. Hoagland’s signature wit and unparalleled observations take in longstanding injustices, the atrocities of American empire and consumerism, and our ongoing habit of looking away. In these poems, perseverance depends on a gymnastics of skepticism and comedy, a dogged quest for authentic connection, and the consolations of the natural world. Turn Up the Ocean is a remarkable and moving collection, a fitting testament to Hoagland’s devotion to the capaciousness and art of poetry.
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About the Author
Credit: Elizabeth Jacobson
Praise
- “[Turn Up the Ocean] is a testament of prescient psalms from beyond the beyond. . . . Over and over, Hoagland returns to an elastic tool kit of metaphors: the red lights of a squad car (his complicity in his white privilege); ocean sounds (other possible lives); and the hyperobject of his gratitude, which is too vast, too wonderful, to define.”—Horace D. Ballard, Artforum's “Best Books of 2022”
