Keynote
A “radically countercultural” (El País Semanal) breakout novel about the restlessness of youth in rural Spain
Book Title
That's All I Know
Subtitle
A Novel
Cover Image
“Much like the forest that surrounds the setting here, this is a novel capable of lethal shocks and bold transfigurations. An unconventional and memorable coming-of-age story.”—Kirkus Reviews, starred review
Body
Nineteen-year-old Little Lea lives in a rural town where life ends at the edge of the forest.
When a stranger loses his dog on the first day after the end of the world, Little Lea warns him not to follow it into the forest, that people who enter never come out. Over a shared joint, she tells him about the burning in her gut, winding a tale of loss, desire, and conspiracies.
Little Lea sees the world through backcountry eyes that distrust the outsiders who come but who also get to leave. When she isn’t working at her mother’s grocery store, she cares for her empty-headed younger sister, Nora, who only cries when she’s in pain. Meanwhile, her friend Catalina does nothing but cry. Little Lea wants Javier to love her, and she doesn’t want Marco, who leaves weed and his best potatoes on her doorstep. As the town prepares for their end-of-the-world festival, she faces her intensifying desire to leave, that burning that unsettles her life—she wants to be useful somewhere else, even if it means being unloved, unwanted, unable to return. That’s all she knows.
In a formally ambitious sustained monologue meant to distract the man as the forest does its work, Elisa Levi’s That’s All I Know explores the toll of caring for those who cannot care for themselves, the fear of the unknown that anchors people to unfulfilling lives, and the bravery it takes to stop deceiving oneself, to give in to longing.
When a stranger loses his dog on the first day after the end of the world, Little Lea warns him not to follow it into the forest, that people who enter never come out. Over a shared joint, she tells him about the burning in her gut, winding a tale of loss, desire, and conspiracies.
Little Lea sees the world through backcountry eyes that distrust the outsiders who come but who also get to leave. When she isn’t working at her mother’s grocery store, she cares for her empty-headed younger sister, Nora, who only cries when she’s in pain. Meanwhile, her friend Catalina does nothing but cry. Little Lea wants Javier to love her, and she doesn’t want Marco, who leaves weed and his best potatoes on her doorstep. As the town prepares for their end-of-the-world festival, she faces her intensifying desire to leave, that burning that unsettles her life—she wants to be useful somewhere else, even if it means being unloved, unwanted, unable to return. That’s all she knows.
In a formally ambitious sustained monologue meant to distract the man as the forest does its work, Elisa Levi’s That’s All I Know explores the toll of caring for those who cannot care for themselves, the fear of the unknown that anchors people to unfulfilling lives, and the bravery it takes to stop deceiving oneself, to give in to longing.
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About the Author
Credit: Asi´s Ayerbe
Praise
- “The end of the world is supposedly at hand and a young woman speaks from her home at the edge of a strange and menacing forest in Spain. Things are downright grim, and reminiscent of the Brothers Grimm too, although narrator Little Lea doesn’t know in 2013 that her mayor’s Mayan calendar-based predictions won’t come true. At least not yet. For Lea’s troubled family, they might as well have.”—Bethanne Patrick, Los Angeles Times
- “That’s All I Know is an unconventional coming-of-age story that reminds one-time restless teenagers like myself that the places we’re leaving might actually miss us.”—Erik Buckingham, Condé Nast Traveler
- “Levi’s frank and acerbic prose works to the book’s advantage, highlighting the story’s absurd nature and brutal action. This eerie tale is worth a look.”—Publishers Weekly
- “Lyrical and alarming, Elisa Levi’s fabulistic novella That’s All I Know unveils a small town’s ominous goings-on. . . . A love-hungry girl confesses her innermost truths near the end of the world.”—Michelle Anne Schingler, Foreword Reviews
