Still Life with Two Dead Peacocks and a Girl
- Finalist for the 2018 National Book Critics Circle Award for Poetry
Finalist for the 2018 Los Angeles Times Book Prize for Poetry
Still life with Easter Bunny twenty caged minks and rusty meat grinder
Still life with whiskey wooden leg two potpies and a dead parakeet
Still life with pork rinds pickled peppers and the Book of Revelation
Still life with feeding tube oxygen half-eaten raspberry Zinger
Still life with convenience store pecking order shotgun blast to the face
—from “American Still Lives”
Graywolf at 45: Poetry reading co-sponsored by the Poetry Foundation
A poetry reading featuring Nick Flynn (I Will Destroy You), Carmen Giménez Smith (Be Recorder), Erika L. Sánchez (Lessons on Expulsion), Diane Seuss (Still Life with Two Dead Peacocks and a Girl), and Tom Sleigh (House of Fact, House of Ruin). Co-sponsored by and hosted at the Poetry Foundation.
Free and open to the public, with reception to follow.
- "The picturesque and the grotesque pair flawlessly in Seuss’s poems, and even gore has an abject charm....She admires art without forgetting that it’s only a facsimile; she questions whether reality, with all of its texture and dimensionality, can be known at all."—New Yorker
- “This collection showcases a poet who is writing some of the most animated and complex poetry today. . . . By the end of the book, everything is larger and more vibrant—the paintings, the speaker’s life, the reader and the world. This is the brilliance of Seuss—everything is animated and complicated by her mind, a mind that has a hunch that silence holds truth”—Los Angeles Times
- “[A] marvelous, complex, attractive, frightening book.”—The New York Times Book Review
- “Throughout this rich collection, the speaker uses art to show how women and the lower class have been portrayed and framed, so to speak, by social norms and expectations. She challenges long-held ideas about worth, privilege and beauty, and creates an alternative landscape through self-portraits and Gothic still lifes.”—TheWashington Post