Keynote
Ilya Kaminsky’s astonishing parable in poems asks us, What is silence?
Book Title
Deaf Republic
Subtitle
Poems
Cover Image
- Winner of the National Jewish Book Award for Poetry
Finalist for the National Book Award for Poetry
Finalist for the PEN/Jean Stein Award
Finalist for the National Book Critics Circle Award for Poetry
Finalist for the Kingsley Tufts Poetry Award
Finalist for the Los Angeles Times Book Prize
Poem Excerpt
Our country woke up the next morning and refused to hear soldiers.
In the name of Petya, we refuse.
At six a.m., when soldiers compliment girls in the alley, the girls slide by, pointing to their ears. At eight, the bakery door is shut in soldier Ivanoff’s face, though he’s their best customer. At ten, Momma Galya chalks No One Hears You on the gates of the soldiers’ barracks.
By eleven a.m., arrests begin.
Our hearing doesn’t weaken, but something silent in us strengthens.
In the ears of the town, snow falls.
—from “Deafness, an Insurgency, Begins”
In the name of Petya, we refuse.
At six a.m., when soldiers compliment girls in the alley, the girls slide by, pointing to their ears. At eight, the bakery door is shut in soldier Ivanoff’s face, though he’s their best customer. At ten, Momma Galya chalks No One Hears You on the gates of the soldiers’ barracks.
By eleven a.m., arrests begin.
Our hearing doesn’t weaken, but something silent in us strengthens.
In the ears of the town, snow falls.
—from “Deafness, an Insurgency, Begins”
Body
Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signs by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea—Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them.
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About the Author
Credit: Cybele Knowles, courtesy of The University of Arizona Poetry Center
Praise
- “These poems bestow the power of sacred drama on a secular martyrology. . . . Kaminsky is wonderfully attentive to . . . repeating patterns of details, contributing to the impression that his book is a through-composed whole, rather than simply a sequence of individual poems. . . . By situating these poems in a country at war, Kaminsky forces the reader to consider both the ways in which we define our social belonging and the loyalties according to which we operate. . . . A visit to this republic will not leave the reader unchanged.”—The New York Times Book Review
- “Evident throughout [Deaf Republic] is a profound imagination, matched only by the poet’s ability to create a republic of conscience that is ultimately ours, too, and utterly his own—a map of what it means to live ‘in a peaceful country.’”—Kevin Young, The New Yorker
- “Re-envisioning disability as power and silence as singing, Kaminsky has created a searing allegory precisely tuned to our times, a stark appeal to our collective conscience.”—NPR.org
- “Described as a ‘parable in poems,’ Kaminsky’s soulful new collection opens on an act of horrific violence before meditating on silence and deafness in times of political unrest. The language is exquisite; the ethical questions Kaminsky poses are provocative.”—Entertainment Weekly
