Ilya Kaminsky’s astonishing parable in poems asks us, What is silence?
Deaf Republic
Poems
- “Evident throughout [Deaf Republic] is a profound imagination, matched only by the poet’s ability to create a republic of conscience that is ultimately ours, too, and utterly his own—a map of what it means to live ‘in a peaceful country.’”—Kevin Young, The New Yorker
Our country woke up the next morning and refused to hear soldiers.
In the name of Petya, we refuse.
At six a.m., when soldiers compliment girls in the alley, the girls slide by, pointing to their ears. At eight, the bakery door is shut in soldier Ivanoff’s face, though he’s their best customer. At ten, Momma Galya chalks No One Hears You on the gates of the soldiers’ barracks.
By eleven a.m., arrests begin.
Our hearing doesn’t weaken, but something silent in us strengthens.
In the ears of the town, snow falls.
—from “Deafness, an Insurgency, Begins”
In the name of Petya, we refuse.
At six a.m., when soldiers compliment girls in the alley, the girls slide by, pointing to their ears. At eight, the bakery door is shut in soldier Ivanoff’s face, though he’s their best customer. At ten, Momma Galya chalks No One Hears You on the gates of the soldiers’ barracks.
By eleven a.m., arrests begin.
Our hearing doesn’t weaken, but something silent in us strengthens.
In the ears of the town, snow falls.
—from “Deafness, an Insurgency, Begins”
Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signs by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea—Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them.
$16.00
About the Author
Credit: Cybele Knowles, courtesy of The University of Arizona Poetry Center
Upcoming Events
Tarfia Faizullah, Tess Gallagher, and Ilya Kaminsky reading at AWP 2019
Date:
Location:
Oregon Convention Center in Portland, ORview map
Moderated by Jeff Shotts. Location: Oregon Ballroom 201-202, Oregon Convention Center, Level 2.
Praise
- “Re-envisioning disability as power and silence as singing, Kaminsky has created a searing allegory precisely tuned to our times, a stark appeal to our collective conscience.”—NPR.org
- “Kaminsky demands that we reevaluate our own language — about deaf culture, about silence itself — in a time when language in the larger, cultural public square has never been more vitriolic. . . . Deaf Republic is a masterfully wrought collection.” —Los Angeles Review of Books
- “Cutting-edge.”—The Washington Post
- “Kaminsky is and has always been a chronicler of humanity itself, an amplifier of all its music, heard and unheard. With this timely, occasionally terrifying, and perfectly structured book, Kaminsky proves something else: that he is also the clear heir to a magnificent tradition rooted in Odessa. . . . This is the work of a poet at the height of his powers questioning everything—questioning what we are all losing and what we have all already lost.”—The Forward
