D. A. Powell wins $100,000 Kingsley Tufts Poetry Award
February 4, 2010—Graywolf Press is delighted to announce that
D. A. Powell has won the $100,000 Kingsley Tufts Poetry Award for his
latest collection, Chronic. The
prestigious award, founded in 1992, is given annually by Claremont Graduate
University to honor work by a midcareer poet. The awards will be presented on
Thursday, April 22, at the Pasadena Museum of California Art.
The
panel of final judges for the 2010 Kingsley Tufts Poetry Awards were Ted
Genoways, Linda Gregerson, Paul Muldoon, Carl Phillips, and Charles Harper
Webb.
Graywolf Press senior editor Jeffrey Shotts was thrilled with
the news. “D. A. Powell is one of the major poets of our time, and it’s
wonderful to have the Kingsley Tufts Award recognize that,” he said. “Considering
that Powell was selected by such a diverse committee of esteemed poets, that
makes it all the sweeter. And, of course, six figures doesn’t hurt either.”
Graywolf poet Matthea Harvey won the Kingsley Tufts Poetry Award
last year for her collection Modern Life.
By G.E. Patterson "I am so happy for this exploration which digs deep into the cracks
between what we are and what we are supposed to be. Mr. Patterson, with
all his love for play and invention, never forgets the serious tug of
our painful history. Rather, he celebrates it by giving words to its
complex and brilliant evolution." —Toi Derricotte
“The Stranger Manual reminds us that even
as poetry mines the dire circumstances of physical being, its zigzag hungers
and outcries, its methods constantly swerve towards celebration. Catie
Rosemurgy’s penetrating meditative force is fueled by a feral play and we can’t
help but be swept up in its ricocheting humor, riptide imagination, and
mordant, sensual thrill. Reader, prepare for a scorching.”
FORTHCOMING AUGUST 2010
The retrospective collection by Eamon Grennan,
whose poetry “illuminates, clarifies, and directs our gaze toward what it is we
love but often overlook" (THE NEW YORKER)
“I fought with this book. I shouted, ‘Amen!’ I cursed at it for being so wildly wrong and right. It’s so smart, combative, surprising, and sometimes shocking that it kept me twisting and turning in my seat like I was on some kind of socio-political roller coaster ride. Eula Biss writes with equal parts beauty and terror. I love it.”