February 1, 2012
—It is with profound sadness that we announce that brilliant poet and visual artist Dorothea Tanning, author of A Table of Content and Coming to That, passed away in her sleep last night. She was 101 years old.
"All of us at Graywolf Press note with sadness the death of Dorothea Tanning," said senior editor Jeffrey Shotts. "We are honored to have published her two poetry books, the first of which was published when she was 94 and the second of which was published just last fall when she turned 101. As she herself remarked, with her usual wry self-awareness, she was 'the oldest emerging poet.' The fact that she could have such an illustrious career as a visual artist and, so late in that career, then turn to poetry with such forceful craft and signature imagination is a triumph of her unparalleled vision and indomitable spirit. Working with her over two books has been one of the greatest delights of my career as an editor. Knowing her these last ten years will remain one of the signposts of my life. She is missed."
ARTIST, ONCE
That was in a room for rent.
It had a window and a bed,
it was enough for dreaming,
for stunning facts like being
at last, and undeniably
in NYC, enough to hold
enfolded as in pregnancy,
those not-yet-painted works
to be. They, hanging fire,
slow to come—to come
out—being deep inside her,
oozing metamorphosis
in her warm dark, took
their time and promised.
Fast forward. Trapped in now,
she's not all that sure.
Compared to what entwined
her mind before the test,
before the raw achievement
pat, secure—oh, such bounty
to be lived, yet untasted,
undefined—all the rest . . .
“Each of the four sections of this book is punctuated by Burt’s
brilliant version of a poem by Callimachus. Burt thereby casts an eerie
light on the American life that fills the rest of his book, as the
poems move from the endless deferral of adolescence (‘we will know who
we are once we have won’) to the plenitude and deprivations that
sustain adulthood. This is a masterly book by one of the most gifted
poets of his generation.” —Frank Bidart
“Each of the four sections of this book is punctuated by Burt’s
brilliant version of a poem by Callimachus. Burt thereby casts an eerie
light on the American life that fills the rest of his book, as the
poems move from the endless deferral of adolescence (‘we will know who
we are once we have won’) to the plenitude and deprivations that
sustain adulthood. This is a masterly book by one of the most gifted
poets of his generation.” —Frank Bidart
“Alyson Hagy writes about the historic and contemporary
ghosts of Wyoming as if she has lived there for two hundred years. . . . She
inhabits each character completely, tells the hard and heartbreaking tales of
their barely redeemed lives with compassion and clarity, in prose as lyric and
arresting as the great state itself.”
By Elizabeth Alexander "In narratives sweetened by the lyric pulse and pierced through by
felicitous turns of irony, Alexander chronicles the world of 'black and
tan'. Race is present in her poems in the way that sex, class, age,
even weather are present in all of our lives." —Rita Dove, "Poets Choice," The Washington Post