Connecting Earth and Sky by Barbara Stafford-Wilson
From the time I was in the
high chair Daddy would hold his fist in front of my
face and say, "Who's boss, Babe?" and I would hit
his fist away, and we would laugh. Somehow, to me,
Daddy was like the beginning, the first father. How
he became such a deep, complex, humane person was
an enigma. He said talk should be reckless, and so
conversation was full of life and inventiveness. He
had a wonderfully deft habit of using a word no one
else knew, and his eyebrows would raise and lower,
and he would smile.
Daddy got his writing done in the morning, rising
in the dark while the house was quiet. I knew he
woke early, and before I understood what that time
meant for him I decided to keep him company, so I
would get up at 4:30. He would greet me and we
would talk. He never let me know this was his
precious time. And so he would get up earlier-and I
would get up earlier-to keep him company. Finally I
couldn't keep it up, and he had his writing
time.
While he conversed with Kierkegaard, Alfred North
Whitehead, Nietzsche, he could fix anything — often
with a rubber band. With great ceremony he would
tune the guitar he'd traded for a hatchet; he made
undrinkable Dandelion and Blackberry wine labeled
"Yum!", snuck raw garlic into food, and forever
stretched and restretched his beloved hat over the
mixing bowl. Daddy would read physics and
astronomy, Trollope and Emily Dickinson, while he
loved Perry Mason, and laughed until he cried over
Jerry Lewis and Laurel and Hardy. Our mother says,
"Bill, he was unusual. He was a man whose thoughts
were of the spirit, and whose feet were on the
ground."
Ever steady, happy, sociable, Daddy participated in
the light part of our lives with good humor and
readiness. And in our father's quiet way he said
many more things to us. We were aware of the cave
of darkness, the aloneness, and the cold of the
universe — that whole world we read in his poetry
where he explains "my habit is the dark." There is
the shadow that saves, a place of mystery to
explore, where instead of being lost one could feel
comforted, instead of being frightened one could
count on it. When Dad once found me crying over my
C in Algebra, he said, "Why Babe, I always wanted
an average child! And besides you don't want to
make the others feel bad, do you?" Several years
ago I mentioned that he really should write a poem
for me. He did. It starts out with something about
how in prison they would give me the good
cell....
When we were young, the folks would write our name
and address in our shoe, and Daddy would say, "Now
remember to talk to strangers." In this way our
father taught us many things about the world and
our citizenship. There are strangers, and we knew
what other people's parents said about that. But he
could say, seek out what is unknown to you and
learn about it. Expect good will on the part of
other people. Because Home will always be here. . .
it is in your shoe wherever you go.
Falling backward into our father's arms we would
play a game of trust-it was so scary. . . but we
knew he would catch us. And then from time to time
he would stand to one side, put a hand on our
shoulder and say, "I'm not there now." I feel his
hand still here since he's stepped aside.
Barbara Stafford-Wilson is an artist living in
Portland, Oregon.
Five
A.M.
Still dark, the early morning breathes
a soft sound above the fire. Hooded
lights on porches lead past lawns,
a hedge; I pass the house of the couple
who have the baby, the yard with the little
dog; my feet pad and grit on the pavement,
flicker
past streetlights; my arms alternate
easily to my pace. Where are my troubles?
There are people in every country who never
turn into killers, saints have built
sanctuaries on islands and in valleys,
conquerors have quit and gone home, for
thousands
of years farmers have worked their fields.
My feet begin the uphill curve
where a thicket spills with birds every spring.
The air doesn't stir. Rain touches my face.
Copyright 1991, 1998 by the Estate of William Stafford. All rights reserved.