D. A. Powell wins $100,000 Kingsley Tufts Poetry Award
February 4, 2010—Graywolf Press is delighted to announce that
D. A. Powell has won the $100,000 Kingsley Tufts Poetry Award for his
latest collection, Chronic. The
prestigious award, founded in 1992, is given annually by Claremont Graduate
University to honor work by a midcareer poet. The awards will be presented on
Thursday, April 22, at the Pasadena Museum of California Art.
The
panel of final judges for the 2010 Kingsley Tufts Poetry Awards were Ted
Genoways, Linda Gregerson, Paul Muldoon, Carl Phillips, and Charles Harper
Webb.
Graywolf Press senior editor Jeffrey Shotts was thrilled with
the news. “D. A. Powell is one of the major poets of our time, and it’s
wonderful to have the Kingsley Tufts Award recognize that,” he said. “Considering
that Powell was selected by such a diverse committee of esteemed poets, that
makes it all the sweeter. And, of course, six figures doesn’t hurt either.”
Graywolf poet Matthea Harvey won the Kingsley Tufts Poetry Award
last year for her collection Modern Life.
By Linda Gregg "Too Bright to See was one of the most important first books of poetry to have come out in the
last twenty-five years. Alma,
first published in its own volume two years after, has become its
necessary companion. It's a fine thing to have these two books back in
the world, the visible world, bound together, lucid and legible as they
are." —Lucie Brock-Broido
By Eamon Grennan "Whether he is describing the flight of swifts over Dublin, the sight
of his children in yellow macs climbing over cliff rocks, or his
passage through 'a bright bead-curtain of rain,' Grennan is a writer of
plainspoken reverence. " —The New Yorker
By R. A. Sasaki "Nine loosely tales weave the experiences of three generations of
Japanese Americans in San Francisco into a subtle, appealing tapestry."
—Publishers Weekly
The reissue of a classic book on writing, now with two new essays and a new preface
“[The book] is a pleasure to read, and it performs an important function—by mucking around in the problems that plague contemporary fiction, Burning Down the House may spur both readers and writers first to a recognition of guilty complicity and then to constructive thought.”