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Reviews of Notes From No Man's Land“[Notes From No Man’s Land] is a beautiful exercise in consciousness; in bringing both intelligence and experience to bear on a subject that has implications for the way one behaves in the world.”
—LOS ANGELES TIMES
—NPR
—SHERMAN ALEXIE
“Traversing an isthmus between white America and nonwhite America, she notes her own, ample opportunities, yet refuses to relinquish the struggle for racial identity to those that have traditionally been more oppressed.”
—COLUMBIA JOURNALISM REVIEW
“[Biss] raises some troubling questions.”
—TIMEOUT NEW YORK
“Biss,
inquisitive and buoyant, swings back and forth between
the shores of nurture and nature, asking tough questions about which aspects of
race and culture we inherit and which we acquire.…Matters of race, sense of self, and belonging involve everyone,
and Biss’ crossing-the-line perspective will provoke fresh analysis of
our fears and expectations.” —BOOKLIST, starred review “These essays are a brave and honest account of Biss’s journeys through space and the inner self. Like Blake, that other mystic poet, she sees the world in a grain of sand. Without missing a beat, she looks at a telephone pole as a symbol of our universal connection, the intrusion of technology, an instrument of lynch mobs, a reminder of her grandfather’s death, and a symbol of life sprouting new leaves even after it is strung with wires. Every page sparkles with imagination.” —NOEL IGNATIEV “‘Gangs are real, but they are also conceptual,’ Eula Biss says, and the wide embrace of that observation speaks well for her essays, which are always ideologically alive even as they are grounded in fascinating details: children’s dolls, the history of telephone poles, the saga of the Hanging Gardens of Babylon. But this book is no miscellany. All of Biss’s explorations finally address race in the United States, from someone whose life seems devoted to that great pondering...and so this is an essential (and quintessential) American book.” —ALBERT GOLDBARTH
“[Biss is] as devastatingly honest with herself as she is with the rest of us, and she resists the easy finger-pointing solutions that seduce so many cultural analysts…. Biss’s steady gaze is invaluable to the contemporary essay.”
—RAIN TAXI
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