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Excerpt from To Be Read in 500 YearsDignityThey say that the first stage is disbelief; and thenpanic and fear, as an entry ramp to acceptance. From there, one reaches the wish to undergo the suffering with dignity. There will be other stages, but this is the one that claims him now, and he rises to meet the occasion as if he’s a figure in a fifteenth-century set-scene, where the air in the room itself—done in the brassy golds of an armory or a jeweler to the court, and displaying the fine craquelure we associate with pedigree—is enough to keep a person from slumping or frantic gesture; it cinches one into civility. The two birds on the branch outside the window are so perfect, they might be mounted on a bezel. In a world of plague, and soldiers returned from the war with their legs in a sack for souvenirs, and a woman so weary she doesn’t realize the infant at her nipple is already dead . . . these birds and this air and the general hush are not an antidote, exactly; more an acknowledgment filtered through will and composure. Overhead, the sun is a medallion. The clearly perimetered lake in the distance could be a silversmith’s gift. And the angel, when it arrives, speaks with its breath in a formal and ornate scroll, bearing the hard announcement. Too HereMaybe the gods do walk among us, swaggering,consoling, pitying, lusting for our warmth and inexperience that must be a kind of sexual veal to them —whatever, maybe we do exist in fields of psychic interconnection, and the way electromagnetism or gravity is a grain that patterns space-time, so are waves —although we’ll never be aware of them—of hunch and luck and telepathy. As for neutrinos: it isn’t maybe. They’re showering through this page and your hand and your heart right now. The moth beats in a frenzy around the candle flame, as if trying to whip the light itself into a cream. It can’t refuse the bulb in the bedside lamp, the headlight on the car. And yet it doesn’t even seem to see the sun —the sun is too here for that. From To Be Read in 500 Years. © 2009 by Albert Goldbarth. All rights reserved. |
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