Excerpt from Central Square

November breaks up a Northern city into its
separate lives. No one lingers on granite planters, strangers stop making
conversation, pigeons go unfed. Murk settles over the river and dusk comes
mid-morning. Buildings lose their heads, faces grow indistinct. In the evening,
trains and buses fill up with individuals, and the bodies layered in bulky
clothing shrink from the coming winter and one another. The yellow glow in
windows lights them safely home. This is the new center of life: The household
becomes the temple, the family the god. Even those who have no home disappear,
crowding the shelters. Every November, when the sky turns leaden and the clocks
have been set back, the larger body dies and the idea of the city becomes a
memory, an accident of warm weather. More than the fall of leaves and the flight
of geese, this memory explains November's sadness in a Northern city.
That November in Cambridge, across the river from Boston, people started
noticing signs. Teal-colored flyers, recognizable from a distance on lampposts,
in the windows of Laundromats and discount clothiers and walk-in clinics, or
around the new construction site. Cryptic phrases in small black type.
No One Is Excused.
Do You Know Where You Live?
Who Is Your
Neighbor?
You Could Be Anyone.
No one claimed responsibility, and the signs became a conversation piece and
source of speculation a terrorist cell with a sense of humor, an ad campaign for
a blockbuster movie, a millenarian lunatic.
Their appearance, just at the moment when cold weather and early darkness
arrived to close up windows and doors, worked strangely on people's nerves. The
signs irritated and disturbed some; in others they woke nameless longings. The
feelings were rawest where the signs were thickest, in the heart of the city the
several dingy blocks of Massachusetts Avenue, its main artery, growing dingier
toward the river known as Central Square. By late November, these nerves and
signs were all that remained of the idea of the city.
Copyright 1998 by George Packer. All rights reserved.