D. A. Powell wins $100,000 Kingsley Tufts Poetry Award
February 4, 2010—Graywolf Press is delighted to announce that
D. A. Powell has won the $100,000 Kingsley Tufts Poetry Award for his
latest collection, Chronic. The
prestigious award, founded in 1992, is given annually by Claremont Graduate
University to honor work by a midcareer poet. The awards will be presented on
Thursday, April 22, at the Pasadena Museum of California Art.
The
panel of final judges for the 2010 Kingsley Tufts Poetry Awards were Ted
Genoways, Linda Gregerson, Paul Muldoon, Carl Phillips, and Charles Harper
Webb.
Graywolf Press senior editor Jeffrey Shotts was thrilled with
the news. “D. A. Powell is one of the major poets of our time, and it’s
wonderful to have the Kingsley Tufts Award recognize that,” he said. “Considering
that Powell was selected by such a diverse committee of esteemed poets, that
makes it all the sweeter. And, of course, six figures doesn’t hurt either.”
Graywolf poet Matthea Harvey won the Kingsley Tufts Poetry Award
last year for her collection Modern Life.
By Askold Melnyczuk "Featured in this welcome second volume in the series are collections
by three poets who have contributed to AGNI's biannual journal." —Publishers Weekly
By Jason Shinder
“Stupid Hope is a generous, entertaining, and disturbing collection by a poet who left us all too soon. On full display is Shinder’s gift for confronting the truths of sex and sickness, lust, and the betrayal of the body from within—all part of a search for the path that will lead him out of loneliness and into love.”
By Katerina Anghelaki-Rooke “The range and power of Katerina Anghelaki-Rooke’s language, as she recasts and reweaves the Greek idiom into forms that are powerful and new, has been compellingly captured by the translators in this volume.”
"Darian Leader has always been a terrific intellectual stylist, but The New Black, a profound meditation on grief and other modes of unhappiness, always buoyed by a mysterious, rather wonderful sympathetic pressure, is perhaps his wisest, most involving work."
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In this powerful sequence of TV images and essay, Claudia Rankine
explores the personal and political unrest of our volatile new century.